REFLECTIONS ON THE INTERFACE WITH REALITIES AND IDEAS: AN OVERVIEW OF IRANIAN CINEMA
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Keywords

Cinema, Iranian cinema, Greek cinema, Indian cinema, Film-Farsi, New-Wave, Neo-Realism Iranian style

How to Cite

Khan, M. . (2022). REFLECTIONS ON THE INTERFACE WITH REALITIES AND IDEAS: AN OVERVIEW OF IRANIAN CINEMA. Rashhat-E-Qalam, 2(2), 60-78. https://doi.org/10.56765/rq.v2i2.72

Abstract

Cinema has been playing one of the most significant influences in our modern life. A lot of countries are involved in filmmaking, so the Iranian has been actively involved in cinema which has become famous across the world. Iranian cinema offers a fascinating even astonishing masterwork; it gives an artistic sophistication, mesmerisation, and passionate significance to humanism. While Hollywood, dominated by flashy fantasies, has put up many national cinemas out of business, Iran's filmmakers have still continued to influence the world audience with their unique and notable formal ingenuity and adherence to real-life people and their problems. In the international arena, Iranian cinema inspired successive generations. There has never been a bit of a moment in the history of Iranian cinema when it remained restricted to its current domains or boundary. Iranian cinema is huge and heterogeneous in its character, as are the historical-cultural, political, and social aspects of Iran itself. 'Realism' in Iranian films can be elucidated through different models or patterns, which has been attempted to deal with in this paper.

https://doi.org/10.56765/rq.v2i2.72
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